[Ending titles. The Death Records logo appears, in the shape of it, super-imposed are the crowd with flames over-top. As the singing starts, the scene shows The Juicy Fruits performing "Goodbye, Eddie, Goodbye".] | |
Song : {The Hell of It} |
Roll on
thunder, shine on lightning The days are long and the nights are frightenin' Nothing matters anyway, And that's the hell of it. |
[The scene now shows The Beach Bums performing "Upholstery". Halfway through the verse it switches to the Undead performing "Somebody Super Like You".] | |
Song : {The Hell of It} |
Winter comes
and the winds blew colder While some grew wiser, you just grew older And you never listened anyway, And that's the hell of it. |
[Shows
the Juicy Fruits just before the unveiling of Beef.] [Jeffrey Comanor Archie Hahn Harold Oblong as The Juicy Fruits, The Beach Bums, The Undead] |
|
[Showing different clips of Philbin.] | |
Song : {The Hell of It} |
Good for
nothing, bad in bed Nobody likes you and you're better off dead Goodbye, we've all come to say goodbye (goodbye) Goodbye (goodbye) Born defeated, died in vain Super-destructive, you were hooked on pain Though your music lingers on All of us are glad you're gone |
[George Memmoli as Philbin] | |
[Showing different clips of Beef.] | |
Song : {The Hell of It} |
If I could
live my life half as worthlessly as you I'm convinced that I'd wind up burning too. |
[Gerrit Graham as Beef] | |
[Showing different clips of Phoenix.] | |
Song : {The Hell of It} |
Love yourself
as you loved no other Be no man's fool and be no man's brother We're all born to die alone, you know, that's the hell of it. Life's a game where they're bound to beat you And time's a trick it can turn to cheat you And we only waste it anyway, And that's the hell of it. |
[introducing Jessica Harper as Phoenix] | |
[Showing different clips of Swan.] | |
Song : {The Hell of It} |
Good for
nothing, bad in bed Nobody liked you and you're better off dead Goodbye, we've all come to say goodbye (goodbye) Goodbye (goodbye) Born defeated, died in vain Super-destructive, you were hooked on pain And though your music lingers on All of us are glad you're gone |
[Paul Williams as Swan] | |
[Showing different clips of Winslow and then as the Phantom.] | |
Song : {The Hell of It} |
[Music continues...] |
[William
Finley as Winslow] [William Finley as The Phantom] |
|
written
and directed by Brian De Palma produced by Edward R. Pressman words and music by Paul Williams executive producer Gustave Berne director of photography Larry Pizer production designer Jack Fisk choreographer Harold Oblong editor Paul Hirsch costume designer Rosanna Norton camera operator Ronald Taylor makeup Rolf Miller makeup design John Chambers sound James Tanenbaum Cast of Characters |
|
Band | Colin
Cameron David Garland Gary Mallaber Art Munson |
Swan's Entourage | Mary
Margaret Amato Rand Bridges James Bohan |
Assassin | Herb Pacheco |
Groupies | Jennifer
Ashley Janit Baldwin Janis Eve Lynn Katherine Mastellos Robin Mattson Patrice Rohmer Ruthey Ross Cheryl Smith April Troy |
Cops | Walter
Foster Peter Harrell |
Judge | Troy Haskins |
Warden | Gene Gross |
Nightwatchman | Henry Calvert |
Stagehands | Ken
Carpenter Sam Forney |
Surfgirls | Leslie
Brewer Celia Derr Linda Larimer Roseanne Romine |
Dancers | Nydia
Amagas Sara Ballantine Kristi Bird Cathy Buttner Linda Cox Jane DeFord Bibi Hansen Robin Jeep Deen Summers Judy Washington Susan Weiser |
Singing Twins | Janet and Jean Savarino |
Country&Western Singer | Keith Allison |
Guy | Bobby Birkenfeld |
Black Singers | Sandy Cotton & Friends |
Reporters | William
Donovan Scott Lane Dennis Olivieri Adam Wade |
Back-up Singers | Nancy
Moses Diana Walden |
Girl in Ticket Line | Sherri Adeline |
Betty Lou | Carol O'Leary |
Mini-boppers | Marty
Bongfeld Coleen Crudden Bridgett Dunn |
Rock Freak (Red shirt) | William Shephard |
Winslow's Doubles | Andrew
Epper Jim Lovelett |
Swan's Doubles | Steven
Richmond James Gamino |
music
produced by Paul Williams recorded by Tommy Vicari at Sounelabs, Hollywood additional scoring composed and conducted by George Aliceson Tipton music supervision by Michael Arciaga and Jules Chaikin for Filmusic "Life at Last" sung by Ray Kennedy |
|
Propery Master | Erik Nelson |
Sound Editor | Dan Sable |
Assistant Sound Editor | Harriet Glickstein |
Sound Mixer | Al Gramaglia - Magno Sound Inc. |
Music Editor | Ed Norton |
Assistant Editor | John Fox |
Boom Man | David Schneiderman |
Casting | Gino
Havens Sylvia Fay Peggy Taylor |
Associate Producers | Paul
Lewis Bill Scott Jeffrey Hayes Michael Arciaga |
Assistant Producer | Lynn Raymond |
Assistant to the Producer | Deborah Howe |
Assistant Director | Michael Dmytryk |
2nd Assistant Director | Robert Enrietto |
Assistant Cameraman | Sean Doyle |
2nd Assistant Cameraman | Terry
Bowen Bruce Kaye |
Hair Stylist | Anna Sugano |
Script Supervisor | Cassandra Kaye |
Construction Coordinators | Michael
Levesque Brian Swain |
Set Dresser | Sissy Spacek |
Special Effects | Greg Auer |
Associate Costume Designer | Peter Jamison |
Production Secretary | Judith Cohen |
Assistant to the Director | Alexa Bodrero |
Gaffer | Tim Griffith |
Best Boy | Richard Cronn |
Electricians | Maurice
Horton Darryl Smith Paul Marcus |
Key Grip | Jack Palinkas |
Grips | Cary
Griffith John Black Mike Taylor |
Unit Managers | Thomas
Lightburn Gary Kent |
Special Photography for Wedding | Robert
Elfstrom James Signorelli |
Choreography for Wedding | William Shephard |
Production Assistants | Stanley
Weiser Ken Carpenter Adrian Cumming Dan Dusek Karen Gilbert |
Montage | Paul Hirsch |
electronic
music synthesizer furnished by Centaur Music Productions Inc. at The
Record Plant original soundtrack available on A&M Records opticals by The Optical House colour by Movielab All firms, institutions and events in this film are fictitious and any similarity to actual firms, institutions and events or to actual persons, living or dead, is purely coincidental. released by Twentieth Century-Fox Film Corporation copyright MCMLXXIV Harbor Productions Inc |
Chapter 31 |
|